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| Colin |
AC30 sound. What should I build? How do I get sound versatility from my guitar amp? I use a Marshall JMP-1 with a 50W Class AB1 EL34 amp which I built. Sounds good but not the sort of sparklyness which you can obtain from an AC30 for example. However, the JMP-1 enables me to change the sound quickly via MIDI to crunchy sounds etc. so I want to keep that versatility. If I build a ClassA AC30 type power amp will this bring back the sparkle to the clean sounds? And should I build it from 2 EL34s or 4 EL84s? I would be glad of your sonic opinions. Thanks Colin |
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| Dave Harris |
Hi Colin, Is that AC30 sparkle you are hearing coming from the Top Boost channel ? If so you may not get it by connecting the JMP-1 to an AC30 output stage. The Top Boost pre-amp has a lot of bass cut and a "bright" cap across the vol pot. Try the JMP-1 into the AC30 Normal channel which has a flat frequency response. If you can get the sparkle with that set up then build the AC30 output stages. Still working on those OTs I see. Express Transformers made me an AC30 OT for 25 pounds UK but I just use it as a paper weight. If I ever get any spare time I will try it out. Dave |
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| simon |
Hi Dave Are Express Transformers a UK company? If so could you post their address as £25 UK for an AC30 OT sounds like a snip to me. Cheers Simon |
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| Dave Harris |
Simon, Express make power transformers. They don’t make or sell OTs. They made me a one off special for fun but I have not had time to try it out yet. The 25 pounds was probably just the material cost not a realistic selling price. Dave |
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| Steve K | Hi Colin,, Just thought I'd chime in here as it had been so long since I played through an AC30 class A amp for extended periods I'd forgotten the nice things 4 el84 tubes in class A config can do to a guitars tone. Sounds like it might be the tone you are looking for. I built a DIY AC30 with 3 different preamps and all of them sound great. So I know for sure most of the dynamics and responsiveness is from the power section. Hard to explain with words but the tone is crystal clear, even harmonic based, and very touch sensitive. The way it should be. When driven with any preamp pedal and a Boss GX700 (I think) I've tried it does wonderfull things to an otherwise sterile tone IMO. So its not just the raunchy, smokey blues tones that sound sooo good, but also in clean mode a strat or a LP can cut any gig. Period... And since the harmonics are even, when overdriven for hard rock distorted tones, IMO there is no better sounding crunch machine...'nough said... I havn't tried el34's in class A yet but you might want to check out a Matchless Chieftan I think it is, but all I've heard from said they prefer the el84 class A tone to the el34 tone but your milage may vary... Do it, you won't be sorry... Steve K |
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| Colin |
OK Thanks. I have just obtained a suitably sized box to build it in but I have been hanging on to decide what sort of amp to put in it. You've convinced me to go ahead with the EL84 Class A design anyway. It's very interesting to see that you've tried it with different preamps, something which most people never do so it's usually hard to come to a conclusion on which part of the circuit it making the difference. OT design will now have to be changed for the CLassA design. Thats the first job. Cheers Colin |
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| Steve Ahola |
Colin: Once you get your Class A amp up and running, can you post your schematic somewhere? Other than the Vox schematics in the Pittman book, I really haven't seen many Class A circuits around. . Steve Ahola |
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